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IN THE RIALTO
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News
introducing the new Assistant Editors
We can now announce our two new Assistant Editors: Edward Doegar and Degna Stone. We are delighted to have them…
The Rialto at Aldeburgh – November 2015
When I open my bedroom curtain to a wall of yellow I know it’s time for the Aldeburgh Poetry Festival. The leaves are on sycamores rooted part way down a steep embankment, so I get the full canopy at eye level. This year one big tree has gone brilliant yellow, gold in the early sun, but the other is still green.
New Editor Development Programme launched
The Rialto Editor Development Programme – Jan-Sept, 2016. Closing deadline: Friday 20th November 2015. Do you really enjoy reading poetry? Are you interested in running a poetry magazine?
BLOGS
On a painting and poetry
Snowy Landscape at Eragny, with an apple tree, by Camille Pissaro, hangs in a Victorian wallpapered gallery in the Fitzwilliam Museum in Cambridge.
On Difficult-to-find Books
Brian Patten’s brilliant BBC radio essay on lost poets – and the one whose poems astonished me the most was Rosemary Tonks – made me think of the poets I
On the voice and poetry
Masha Zrabl
There’s a feeling when you see a stranger who resembles someone you once knew, of being thrown off kilter, caught between two people, one present before you and the other
Down at the White Horse, Feat. Bob the Barman
During my ‘poetry adventure’ in New York, I had a drink with a cool guy called Peter at The White Horse.
New York: A Little Poetry Adventure
I recently undertook a bit of a poetry adventure. It was across the pond, in a place called New York.
About the rialto
WELCOME
Welcome to the website for The Rialto, where you can find out who we are and what we do, read poems from the magazine, and connect up with our social media pages. You can buy subscriptions, single copies, pamphlets and books. You can learn how to submit your poetry for possible publication, and you can read articles and blogs by the editors, poets and guest writers.
The Rialto magazine is edited by Michael Mackmin working with Rishi Dastidar, Edward Doegar, Will Harris and Degna Stone, who are graduates of our Editor Development Programme.
We’d like to say thank you to our loyal subscribers and to the Arts Council of England whose support and encouragement over years have made possible The Rialto. We invite you, reader, to join the team: help make poetry happen by subscribing now.
THE MAGAZINE
The founding editors, Michael among them, believed in a ‘Republic of Poetry’, an inclusive and diverse world of poetry, one that was open to experiment in form and content. We strive to keep this vision alive.
The magazine appears three times a year and each issue, with its spacious A4 pages, has fifty or so poems, an editorial and occasional, commissioned, prose pieces. Most of the space is occupied by the best new poems we can find, all wrapped up in our famously vibrant beautiful covers.
The Rialto has been called ‘Simply the best’ by Carol Ann Duffy and ‘A terrific magazine’ by Seamus Heaney.
BOOKS AND PAMPHLETS
At the start of the new millennium The Rialto published a short run of first collections. In 2005 we turned our energy to publishing pamphlets and began our Bridge Pamphlets list. These have so far been by poets who we’ve asked to submit work. We also run a poetry pamphlet competition which has become a fixture of how we discover new work. Oh, and we haven’t forgotten about first collections – we launched Dean Parkin’s The Swan Machine at last autumn’s Aldeburgh Poetry Festival, and published Matt Howard’s award winning Gall in 2018.
Laura Scott’s pamphlet What I Saw won the Michael Marks Award in 2014, and several of our first collections are winners of major awards.
“The Rialto is the poetry magazine to read – publishing poems that are formally inventive and alive to the ‘here and now’ of the world, but always with a commitment to the humane and compassionate qualities I believe the best poetry has. It has led the way in nurturing new talent.”
“The magazine is consistently one of, if not the best spotter of emerging talent in the UK – as a writer you know that you have arrived if one of your poems goes in. It’s more than an imprimatur of quality – it’s a rite of passage.”
