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IN THE RIALTO
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News
Autumn 2017
November to November – this has been a difficult year. There have been deaths, illnesses, ruptures of relationships, losses, that have affected me strongly. And I decided to add in, a few months back, the decision to sell my house and move to a smaller one,...
Nature and Place winners announced
We have now received the results of the Nature and Place Poetry Competition back from Kathleen Jamie and are delighted to announce that the winners are: 1st Prize of £1000 – ‘Marsh thistle’ by Jemma Borg 2nd Prize of £500 – ‘Harold Wilson Rows Towards Bishop Rock’ by...
The Rialto Newsletter, February 2017
January, though it might be a month for resolute and joyous new beginnings is also, for self- employed persons like myself, the month when the Inland Revenue threatens punishment if you don't submit your Tax Return. It's possibly this shadow that makes the month slow...
BLOGS
Libretto – Joanna Guthrie
You may like to treat yourself to a quick look at this, from the Waveney and Blyth Arts website:
“This is Waveney &
Sheep – Michael Mackmin
If I invert Sir Philip Sidney’s famous maxim (‘to teach and to delight’) I get a statement, of sorts, that the key to learning to be a reader of poetry
‘Raw Hamburger Mossing in the Watery Stoppage’ – Andrew McDonnell
Some Thoughts About Poetry and Comics – Chrissy Williams
My partner writes (but does not draw) comics. This means I have been learning more about comics that I might otherwise have deemed necessary.
The darkest evening of the year
The nights draw in again and the winter equinox gets buried beneath the white noise of Argos adverts, flashing santa’s (in both senses), and the warblings of X-Factor winners dribbling
MOVING ON FROM THE SEASON OF MISTS AND MELLOW FRUITFULNESS
About the rialto
WELCOME
Welcome to the website for The Rialto, where you can find out who we are and what we do, read poems from the magazine, and connect up with our social media pages. You can buy subscriptions, single copies, pamphlets and books. You can learn how to submit your poetry for possible publication, and you can read articles and blogs by the editors, poets and guest writers.
The Rialto magazine is edited by Michael Mackmin working with Rishi Dastidar, Edward Doegar, Will Harris and Degna Stone, who are graduates of our Editor Development Programme.
We’d like to say thank you to our loyal subscribers and to the Arts Council of England whose support and encouragement over years have made possible The Rialto. We invite you, reader, to join the team: help make poetry happen by subscribing now.
THE MAGAZINE
The founding editors, Michael among them, believed in a ‘Republic of Poetry’, an inclusive and diverse world of poetry, one that was open to experiment in form and content. We strive to keep this vision alive.
The magazine appears three times a year and each issue, with its spacious A4 pages, has fifty or so poems, an editorial and occasional, commissioned, prose pieces. Most of the space is occupied by the best new poems we can find, all wrapped up in our famously vibrant beautiful covers.
The Rialto has been called ‘Simply the best’ by Carol Ann Duffy and ‘A terrific magazine’ by Seamus Heaney.
BOOKS AND PAMPHLETS
At the start of the new millennium The Rialto published a short run of first collections. In 2005 we turned our energy to publishing pamphlets and began our Bridge Pamphlets list. These have so far been by poets who we’ve asked to submit work. We also run a poetry pamphlet competition which has become a fixture of how we discover new work. Oh, and we haven’t forgotten about first collections – we launched Dean Parkin’s The Swan Machine at last autumn’s Aldeburgh Poetry Festival, and published Matt Howard’s award winning Gall in 2018.
Laura Scott’s pamphlet What I Saw won the Michael Marks Award in 2014, and several of our first collections are winners of major awards.

“The Rialto is the poetry magazine to read – publishing poems that are formally inventive and alive to the ‘here and now’ of the world, but always with a commitment to the humane and compassionate qualities I believe the best poetry has. It has led the way in nurturing new talent.”
“The magazine is consistently one of, if not the best spotter of emerging talent in the UK – as a writer you know that you have arrived if one of your poems goes in. It’s more than an imprimatur of quality – it’s a rite of passage.”